Check the new banger from Rebel Diaz, including beautiful production from Illanoiz.

You can also read about the situation and do your best to spread the word.

Via Green Left

“Misogyny is a huge problem in hip-hop,” says radical rapper Marcel Cartier. “Even ‘progressive’ artists often fall victim to being perpetrators of sexist lyrics.”

The empathetic emcee hits chauvinists where it hurts on his new album, History Will Absolve Us. On the plaintive, piano-driven “Never The Answer” he raps:

One in four women face domestic violence
It’s a shame that so many feel the need to stay silent
And worse even still many blame themselves
Like whatever they did justifies this hell
But there’s never an excuse for this sick abuse
It can be physical or it’s verbal too.

“All men in this backward capitalist society have sexism within them,” Cartier tells Green Left. “But the goal must be to transform ourselves as much as possible in the process of trying to transform the world.”

Carlos Martinez, the multi-instrumentalist who wrote the music on Cartier’s album, is equally outspoken on the issue. “Misogyny is a major problem within hip-hop, as it is in society in general,” he tells Green Left.

“I think that the misogynistic language that is so socially acceptable today is an awful lot like the ‘scientific racism’ that was widely acceptable 50 years ago.”

Musician and activist Martinez, who is better known by his musical moniker, Agent Of Change, is unequivocal about what has to be done.

“We have to move above this bullshit,” he says. “Hip-hop is often very tuned into race issues while ignoring other dimensions of oppression. We have to unite around a platform of opposition to ALL forms of oppression.”

History Will Absolve Us tackles many forms oppression head-on, from war and empire to inequality and globalisation, with spine-tingling results. Both artists have benefited from being raised with a more worldly outlook than most.

“My dad’s from north India – the Punjab – and mum was born in England, but of Spanish descent,” says the 34-year-old Martinez. “I grew up in west London with my mum and grandmother. I was lucky to go to school with a lot of people from different national and ethnic backgrounds – especially African-Caribbean and South Asian – so I was absorbing a lot of different cultural influences from a young age.”

Cartier’s upbringing was perhaps even more eye-opening. “I was born in 1984 in Heidelberg, West Germany, to a Finnish mother and American father, who was at that time working for the US Army,” he says.

“Because of this, my childhood was spent on US military bases both in Germany and England. My French name comes from my father’s side of the family, as my great-grandfather had moved from Canada to the US.”

Cartier says he began writing songs in England at the age of 14, influenced by highbrow hip hoppers such as Dead Prez, KRS-One and Talib Kweli. “These rappers helped me to challenge the ideology that I had thus far been instilled with,” he says.

“I began to challenge the narrative about the ‘greatness’ of the United States. My art began to reflect this change in worldview more and more through the years. In 2008, I completely broke with my military background by moving to New York City, to not only further pursue my hip-hop career, but to become a part of the revolutionary movement.”

It was a move that also eventuated in Cartier’s arrest. “’99 to 1′ on the album is a song that was influenced by the Occupy Wall Street movement,” he says. “I directly participated in this in New York City, including the October 1 mass arrest on the Brooklyn Bridge – I was detained for 12 hours. The song paints a very optimistic picture of the protest movement in the US.”

His move to New York also saw him team up with revolutionary rappers and activists Rebel Diaz, who are no strangers to arrest themselves. The children of Chilean activists, Rebel Diaz appear on one of the album’s many goosebump-garnering moments, “Start The Revolution”.

The song delivers one of Cartier’s copious killer lines: “I’m about as American as you can get, I rep the people, you rep the one per cent.” But just how patriotic is he seen by his military father?

“We obviously have diametrically opposed points of view,” says the rapper. “But there was never really any pressure from my father to follow in his footsteps, so I don’t think he was necessarily disappointed when I chose not to join the military.”

Cartier also emphatically urges others not to join up, putting the forces firmly in the crosshairs of his lethal lines and rapid-fire delivery in “Be All You Can Be”.

“‘Be All You Can Be’ was the slogan of the US Army until 2006,” he says. “Instead of being a pawn for corporate interests, I am encouraging young people to ‘be all they can be’ by rebelling against the system of degradation.”

But the song also expresses empathy with those who sign up to the services – a rare insight no doubt influenced by Cartier’s upbringing. Guest emcee Intikana raps:

I’ve spoken to policemen
Had a heart to heart with them
By a seat aside spoke without the harsh venom
And all they really want is bread to feed their family
The force wasn’t their first choice but to be secure financially
It’s tempting when you’ve never had a plan B
To retire with a pension at the age of 50.

But despite Cartier’s concessions, Martinez is probably seen as far less of an errant child. The producer, whose mother and father were college teachers, says: “Both my parents were – and still are – traditional Marxist-Leninists, so the political influence has always been there.

“Although I don’t have quite the same politics as my parents, I appreciate the fact that I was brought up to question the dominant narrative.”

There were also “a lot of books around”, which made Martinez the public speaker and talented writer with a lot to say, as can be seen on his blog, Beat Knowledge. So why doesn’t he rap?

“I’ve never really tried it,” he says. “I’d probably sound stupid – you need a cool voice. Also, I can write articles and stuff easily enough, but the abstraction of poetry doesn’t come naturally to me.”

Cartier not only has the voice and poetry, he also has melodies that can mould themselves into listeners’ minds. “Never Be A Slave”, a curse on colonialism that name-checks Aboriginal Australians, shackles itself to the subconscious like a pair of unbreakable manacles.

Unlike most emcees, Cartier also recognises the chain that links racism and sexism. “While sexism is truly a problem in hip-hop, I would identify the primary problem as being hip-hop’s hijacking by the white power structure,” he says.

“It is that structure that aims to further perpetuate misogyny.”

Support the artists by buying the album or listen to it and download it for free below…

MARCEL CARTIER TELLS GREEN LEFT ABOUT SOME OF THE KEY SONGS ON THE ALBUM…

“Get Your Hands Off Africa”
“This song speaks to the exploitation of Africa, both in colonial times and today under neo-colonialism. It points to the fact that the development of Europe came as a consequence of the pillage and rape of Africa. It addresses the role of AFRICOM in the US agenda to assert dominance over the continent through puppet regimes, and the demonisation campaign against governments that dare to be independent, such as ZANU in Zimbabwe.”

“Unoccupy the World”
“This song touches on the US wars of aggression in Afghanistan and Libya, and the propaganda war that has long been waged against the Islamic Republic of Iran. The final verse from guest artist Rodstarz of Rebel Diaz addresses the war being waged against the black and brown community INSIDE of the US. By tying together domestic and international issues, we strive to make the connections between the lack of basic necessities in our communities and the aggressive posture of the US ruling class toward the oppressed peoples of the planet.”

“Hands off Syria”
“This song has been quite controversial. It was never written to be a ‘Pro-Assad’ song, but rather to present a message of anti-imperialism without exception, and to present a more balanced picture of the situation on the ground in Syria. The ‘balance of forces’ that I speak to aims to ask the question: if the current government falls, what will fill the vacuum? Will it be progressive? Or will it be a neo-colonial proxy regime?”

“History Will Absolve Us”
“This song is completely unapologetic for standing up for one’s convictions and principles, regardless of whether or not that view is particularly popular at the moment, even WITHIN the left. The second verse calls out segments of the left who have been complicit in the re-colonisation of Libya by siding with a reactionary proxy army.”

AGENT OF CHANGE TELLS GREEN LEFT ABOUT HIS FAVOURITE HIP HOP BOOKS…

“I’m a book person – I generally read for a couple of hours a day, so I get through ‘Can’t Stop Won’t Stop – a brilliant history of hip-hop; MK Asante Jr’s ‘It’s Bigger Than Hip-Hop’ – dealing with the social, political and cultural issues connected with the hip-hop generation; and, perhaps, Billy Wimsatt’s ‘No More Prisons’, which is a fascinating, old and opinionated book about organising around the hip-hop generation. Bakari Kitwana and Michael Dyson have written some very interesting stuff too. Believe it or not, I also thought Jay Z’s ‘Decoded’, which he wrote in collaboration with the brilliant Dream Hampton, was really insightful.”

Carlos Martinez, also known as Agent of Change, speaks in London this year.

“99 to 1”.

“Never Be A Slave”

“Get Your Hands Off Africa”

Marcel Cartier talks to RT.

First things first, RIP to a Adam Yauch, a hip-hop innovator whose contribution to the art form is widely recognised. The Beastie Boys form an important chapter in hip-hop history. Even as white, middle-class kids whose main effect was to make hip-hop more accessible to other white, middle-class kids, they were generally respectful of the art form and of the communities that created it. Chuck D commented on Twitter:

“Adam & the boys put us on our first tour 25 years & 79 tours ago. They ARE essential to our beginning, middle and today. A very real cat R.I.P MCA”

While Yauch deserves respect as an artist and innovator, the aspect of his life that has earned him the most praise in the liberal press is his activism in favour of Tibetan independence. This is interesting. While the press censors musicians who call for Free Palestine, it lauds artists who call for Free Tibet. And while western governments actively support the Israeli government against the Palestinian movement for national self-determination, they actively support the Tibetan independence movement against the government of the People’s Republic of China. Why the discrepancy? In short: because Israel is a ‘friend’ and China is an ‘enemy’. The west has consistently used the issue of Tibet in order to paint China as an evil, ruthless coloniser, thereby making it morally abhorrent, even to those that support other aspects of Chinese politics (you know… little things like the most significant poverty alleviation programme of all time).

Every western liberal knows that Tibet must be free. And yet 99.9% of them haven’t got the slightest clue as to the history of Tibet, or the relationship between Tibet and the rest of China. Wearing that ‘Free Tibet’ t-shirt is simply the easiest, most acceptable and least confrontational way of saying “I am a good person”, absolving the wearer of all responsibility for developing their knowledge and understanding.

In fact, the issue of Tibet is not an open-and-shut case of Chinese colonialism. And perhaps more importantly, there are better ways for people in the ‘first world’ to be active in pursuit of a fairer, more peaceful world. The Beastie Boys were/are privileged white Jewish kids from affluent families in New York. They have made a fortune, and built a musical legacy, on the basis of a culture created by people of African descent in the poorest districts of New York. Instead of taking up a cause celebre which poses zero challenge to the US ruling circles, surely it would be more appropriate to use their privilege and wealth in support of the oppressed communities that hip-hop grew out of?

Incidentally, New York wasn’t always called New York – it was given that name by English colonisers in 1664. Native Americans have lived in that area for an estimated 12,000 years. Wealthy European settlers could consider supporting indigenous rights and power as an outlet for their activism. But that would be a bit difficult. It would mean standing up to their government; it would mean getting labeled in the press as subversives rather than lauded as heroes; it would mean taking on corporate interests; it would mean not sharing the same views as George W Bush. It doesn’t take any courage for a wealthy North American or European to stand up to ‘Chinese tyranny’. The Chinese are an easy target. The west is generally anti-China to begin with, and there’s a prevailing sense of indignation that they are no longer our colonial subjects (things were soooo much better in China back when we fought wars for our right to get the Chinese masses hooked on opium). In the US this sentiment is mixed up with the intellectual legacy of McCarthyism, which means that anything called ‘communist’ is automatically considered demonic. The prevailing hatred only grows as China is developing into an economically and politically strong country, the number one challenge to the total dominance of US imperialism.

One international cause which doesn’t typically attract the support of many wealthy western celebrities (especially Jewish people from New York) is that of Palestinian national self-determination. Why not demand an end to Israeli oppression of Palestinians? There are few such clear-cut cases of ongoing colonial occupation, organised and paid for by the west. Opposition to Israeli occupation is a lot more valid than joining in with the fashionable Hollywood-liberal cries of ‘Free Tibet’. However, I can’t find any record of the Beastie Boys voicing their support for Palestine. Indeed, they played concerts in Israel in 1995.

So in celebrating the legacy of the Beastie Boys (Paul’s Boutique is playing in my headphones as I write this), I suggest we emulate their creativity rather than their activism. Be an activist, for sure, but pick the right side!

Here’s the new mixtape from revolutionary rapper Marcel Cartier, featuring classics from all three “Revolutionary Minded” projects, plus exclusives from the forthcoming album with Agent of Change (me!) and previously unreleased joints.

Pick it up for just $5 / £3.49 from OneRpm.

Follow @MarcelCartier
Follow @Agent_of_Change

Leading hip-hop activists Rebel Diaz have been a group for six years today. They’re marking the occasion by selling their entire discography for a knock-down price of $15 – just under £10.

Get it here.

Follow @RebelDiaz
Follow @Illanoiz
Follow @RDACBX

Some really dope interview and studio footage from Dead Prez, Yasiin Bey and MikeFlo, as they put together a tribute to Trayvon Martin over the classic Nas ‘Made You Look’ beat (produced by the legendary Salaam Remi).

It’s heartening to see top-level established artists coming together to make a statement, raise awareness, educate and organise.

Also be sure to check out Jasiri X’s heart-felt tribute to Trayvon, over the ‘No Church in the Wild’ beat from Watch The Throne.

On Twitter:

@M1deadprez
@MosDefOfficial
@mikeflorbg
@Jasiri_X

Check this must-watch 35-minute interview with Rebel Diaz by The New Significance, showing the hip-hop community centre and studio they run, talking about their new album and their ethos.

Follow Rebel Diaz on Twitter

I went with my son down to the demonstration and rally yesterday (Saturday 20 November 2010), and can attest to the fact that Lowkey’s speech was hugely inspiring!

Here’s the video. The transcription is below.

We are here – all of us are here – because we believe in the equality of all and the supremacy of none.

Thank you.