Great stuff from @Jasiri_X and @Rhymefest.

Black, red and brown, they can never break the family up.

You know this.

Some really dope interview and studio footage from Dead Prez, Yasiin Bey and MikeFlo, as they put together a tribute to Trayvon Martin over the classic Nas ‘Made You Look’ beat (produced by the legendary Salaam Remi).

It’s heartening to see top-level established artists coming together to make a statement, raise awareness, educate and organise.

Also be sure to check out Jasiri X’s heart-felt tribute to Trayvon, over the ‘No Church in the Wild’ beat from Watch The Throne.

On Twitter:

@M1deadprez
@MosDefOfficial
@mikeflorbg
@Jasiri_X

Jasiri X takes the Pete Rock and CL Smooth “They Reminisce Over You (T.R.O.Y)” beat and uses it to brilliant effect, breaking down the Troy Davis case – yet another example of the deeply entrenched racism of the US ‘justice’ system.

Lyrics:

Does the court system employ racists?
Then why are so many black boys in cages?
Why shouldn’t I be paranoid of hatred?
Just look at the curious case of Troy Davis
Let travel on down to savannah
In the state of Georgia just south of Atlanta
Where they wave the rebel flag like a bandanna
Hung our ancestors then posed for the camera
A white police officer was shot and killed
Over and argument he tried stop and heal
And here’s where the plot gets real
The main suspect blamed Troy went to the cops and squealed
And with no physical evidence or weapon
Troy was arrested for a 187
He said he was innocent man was a when he was questioned
But they said that he did it who needs a damn confession
They just need is a witness they can press to cry
Tell em what to say or they arrest the guy
Then Put em on the stand and make em testify
Swear to god to tell the truth and do they best to lie
And they did so troy was found guilty
Sent to death row by police so filthy
Even though his innocence is true
We pray they don’t reminisce over you

But the truth always comes to light
And Troy Davis didn’t give up the fight
He kept filing appeals until it was reveled
The state of Georgia wants an an innocent man killed
That’s why a who’s who wants him out
cause there’s just too much doubt
And witness after witness came forward and admitted
the only reason they did it cause the police insisted
so wicked so vicious
The system’s broke so fixed
2 decades no Christmas
Execution dates 4 listed
get organized show resistance
go online sign those petitions
Black Americans know the difference
It’s a new day but the same old lynchings
I am Troy Davis
families destroyed be cases
why can’t we avoid the Matrix
instead of giving his children toys to play with
he’s waiting his execution hoping the court stays it
I’m praying and doing
we need action we need movement
cause his innocence is true
I pray they don’t reminisce over you

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Sign the Amnesty petition calling for clemency

For Woman’s History Month, celebrated radical rapper Jasiri X drops a heartfelt track telling the stories of the murders of Christina Taylor Green (9 yrs old), killed during the shooting of Congresswoman Gabrielle Giffords, Brisenia Flores (9 yrs old), gunned down by anti-immigrant militia intent on starting a race war, and Aiyana Jones (7 yrs old), shot to death while asleep in her home, by the Detroit Police Department, while they were filming a reality TV show.

Lyrics:

Born on 911
In that dark time as a blessing
A face of hope like she was a sign from the heavens
Kindness and reverence
She grew into a scholar kid
Became class president with a love for politics
Only nine and wants to find where the congress is
Meet her representative
Get involved with the processes
That morning she was so hyper
wanted to meet Ms Giffords by just like her
even though she was young she was much wiser
Until that automatic weapon was just fired.
People falling from getting hit
He kept shooting cause his gun had an extended clip like it had no end to it
And of the victims hit she was the youngest
The mother of her own child she’ll never become it
The value for life just plummets
In this sick society that deserves judgment
Rest in peace youngin

A little girl with her mommy and daddy
on her knees saying a prayer thanking God for her family
so happy her whole life ahead of her
But outside her door was a hoard of vicious predators
Racists sycophants with hatred for immigrants
Got with other militias and called them selves the minutemen
We know where they got drugs and cash lets go get it then
knock knock the little girl wonders whose visiting
They never found drugs but they was of brown blood
So they cock back and fired round after round of slugs
The little girl saw her families bodies on the rug
And cried what did we do why did you come to kill us
he raised up his gun and shot her twice in the face
cause she was only nine but wasn’t the right race
and that’s the reason that we didn’t see it in the media
so even in death discrimination still reaches her.

Little Aiyana Jones chillin in her father’s home
In Detroit Michigan playing toys with her sisters and
doing all the things that make you wish you were a kid again
before you understood what a violet world that were living in
all played out sleeping on the same couch
that she did every night when they turn the lights out
But outside the house they had cameras and mic out
Reality TV brutality for a fee
The first 48 hours on A & E
where a officer can play a celebrity
distracted by all the action they chose the wrong house
flash grenade through the window went crash on the couch
Aiyana’s on fire now flames getting wider now
the first officer through the door pulls out and fired down
shot through the neck bleed to death she’s expired now
I pray she’s resting on higher ground
we love you

—
Follow Jasiri X on Twitter

Wooooiii! Check out the new banger from Jasiri X and the legendary M1 from Dead Prez. With the Middle Eastern masses rising up against brutal regimes and the even more brutal western regimes that back them, this track is as relevant as it gets: “Let our forming be a warning to every brutal regime”. Militant lyrics backed by a militant beat from Drum Gang Productions. Give me this over some pretend-gangsta-just-watched-Scarface corporate rap any day!

Lyrics (via Allhiphop):

Jasiri X

Revolution’s not an act it’s an actual fact
an idea that burns until it turns blacker than black
the truth bearer new era like the back of ya hat
the true terror who’ll scare ya without packing a gat
through the barrier one carrier then it spreads like malaria
bury us with no fear of oppression every tear is a weapon
When God hears it a blessin’
Every tyrant is destined to die that’s connected to violent aggression
if arrested remain silent when questioned the wisest lesson
Freedom’s the highest expression of life in the present
that’s why worldwide the riots are spreading
A righteous message like God set the fires from heaven
Uprising we done crying the young riding
when people get the power dictators go run hiding
we just trying to live like human beings
when we protest in peace police shoot up the scene
look at your computer screen you can see it right through the stream
Let our forming be a warning to every brutal regime

M-1

It’s a simple math equation it’s scientific OK
you put the power in the hands of the people its liberation
and even if you take it away its multiplication
repression breeds resistance and this is our situation
I’m an expert on exploitation master of ghetto misery
a miracle of modern enslavement given our history
the fire through the wire bullets bombs and the liars
the snitches the counterinsurgency mad vicious
they kill us the freedom fighters but can’t kill the revolution
they put crack in our community laughing like it’s amusing
but I don’t see nothing funny the crackers that’s on the money
they only wanna keep us mis-educated like Sonny
They see how we never give up and wonder just how we do it
f#ck a roach we’re the scarabs the beetle up out the ruins
you can hear it in our music is resilience part of our experience
you can call it the freedom experiment
you hear it but do you feel it
either join with it or fear it
but I want it in my lifetime period.

Follow Jasiri X on Twitter
Follow M1 on Twitter
Check out Jasiri’s Bandcamp page
Download Dead Prez’s latest mixtape, Revolutionary But Gangsta Grillz

Nice freestyle from Jasiri X. The instrumental is from Wiz Khalifa and Curren$y’s recent track ‘Huey Newton’ which has caused a fair bit of controversy, mainly as a result of the fact that the song has absolutely nothing to do with Huey Newton! Jasiri provides a healthy and mature response to Wiz and Curren$y’s record, pointing out that the racism that inspired the birth of the Panthers has not gone away.

Jasiri’s lyrics:

I remember Joshalyn Lawton police put a gun to her head
She was 7, all she could see was the weapon
How could this sweet little girl be threatening
6 witnesses, the cop wasn’t even questioned
Although it sounds simply insane
That officer killed a man who was mentally deranged
6 months later this is my city where the mayor
Fought a cop then got off a half hour later
And I say a prayer for Fredrick Germaine Carter
Found hanging from a tree in Mississippi
And I ain’t talking bout in the 60s
This was last week
They called in a suicide so they can keep the blacks asleep
Keep puffin ya hashish and sippin on champagne
A guarantee that niggas won’t do a damn thang
Demand change my pen comes from a hand grenade
And this ain’t a diss to Wiz and Curren$y
Cos I was burning trees every day to age 23
And look what the lord made me
All praise be to the God that raised me
You don’t crush the seeds you water them
If you wanna see your sons shine, father them
Huey was just 24 when he stared the panthers
F a problem lets start with the answers
One hood

Here’s the Wiz Khalifa and Curren$y track:

And here is more detail from the ever-brilliant Davey D.

Take a few minutes to read this in-depth interview with the very talented revolutionary rapper Jasiri X, which appeared on examiner.com a few days ago.

Gone are the days when rappers actually had something of substance to say when they picked up the microphone. The late 80’s and early 90’s were filled with Hip-Hop acts that raged against the machine while most of today’s acts are simple and overly hedonistic. I guess everything is all good.

Pittsburgh MC Jasiri X is a throwback to acts like Public Enemy, Ice Cube, Paris, and X-Clan. His lyrics are not about being combative but more about doing the right thing. With rhymes steeped in factuality Jasiri X is a breath of fresh air to Hip-Hop in 2010.

I spoke with Jasiri X about the Tea Party Movement, police brutality in the inner city, his upcoming album Ascension, and why Gucci Mane and Waka Flocka Flame are part of a modern day minstrel show.

SS: I first heard of you from your song What if the Tea Party was Black? Talk about why you decided to record that song and explain the meaning behind it.

Jasiri X: It really came from a conversation that I had with Paradise the Architek from X-Clan. He sent me an article written by a gentleman named Tim Wise. The article basically said, imagine if the Tea Party was black. I read the article and I thought it was decent. I saw Paradise later on and he asked me about it. I said it was cool, and he said that it would make a great song. I was like, “Wow, it would.” At that point in time it was instantaneous and I just started writing.

The purpose was to show media bias. It wasn’t about the Tea Party as much as it was about how they’ve been covered. It’s interesting to me when you hear them talk about revolution and see them with guns. We know the history of our revolutionary organizations and how the government conspired to destroy them, but what if black people decided to march on Washington with guns? How would they treat us? We know it would be a lot harsher treatment than the Tea Party gets. I’m somebody that always analyzes and studies the media. It was right along the lines of what I like to do as far as exposing the biases that I see in the media–especially when it comes to our people.

SS: Race has been in the news recently with people like Shirley Sherrod, Jesse Jackson, and Mel Gibson making headlines. Recently I had a discussion with my 15-year old cousin concerning Jesse Jackson’s allegation that Cleveland Cavaliers owner Dan Gilbert had the mentality of a slave master. My cousin said, “Why are people still talking about slavery? Why do people still bring up race?” I’ve heard similar comments from people of all colors recently but it shocked me coming from a young black man. What would you say in response to my cousin’s questions about why race and slavery are still brought up in 2010?

Jasiri X: Wow. I would talk to him about how race matters. It’s sad because you would think that in 2010 we would have witnessed Dr. King’s dream by now. Especially with the election of President Obama, we would have moved beyond it. What you see with the election of President of Obama is it’s gotten even more racial. I’d talk to him about Oscar Grant because everybody missed that when LeBron James made his decision on ESPN. Grant was a young brother in Oakland who was shot point blank in the back on video tape. The officer was charged with involuntary manslaughter. I would show your cousin how statistics say that young black men born after 1991 have a 91% chance of going to jail at least once in their life. The percentage for white people is just 5. I’d talk to him about graduation statistics and employment statistics. Even today when we go before a judge after committing the same crime we get longer sentences than white offenders. The reality is, race is still a problem.

Here in Pittsburgh we were called America’s most livable city. At the same time a report was issued saying that we have the poorest black community of any of the major cities in the United States. Black children under 5-years old are poorer in Pittsburgh than anywhere else in the United States. That’s the disparity right there. If your cousin lived in the hood I’d say look at your neighborhood and ask why is it not like the neighborhoods of others.

SS: He does live in the hood! He’s on the west side of Chicago and it’s serious over there…

Jasiri X: Wow. Oh yeah. I’m originally from the south side so I understand. I would say look around your own neighborhood, you know?

SS: Tell me about the American History X mixtape that you dropped a few months ago.

Jasiri X: The idea came about from watching the movie. The movie deals with race which is a topic that I deal with often. The white student writes a History paper about Hitler and the black principal takes him into the office and says, “I’m your history teacher now, our topics are going to be about current events, and the class is going to be called American History X.” This Week is a video blog where I was dealing with a lot of current events and issues–the mixtape was right along those same lines.

SS: Earlier you mentioned Paradise the Architek; how did you hook up with Paradise?

Jasiri X: Man, just found out he lived in Pittsburgh! I’m someone who is definitely inspired by X-Clan. We ended up hooking up but what’s interesting is when we did it wasn’t about rap. Paradise is someone who has a tremendous love for our people. He’d call me every time a young person lost their life in Pittsburgh and ask me, “What are gonna do?” We ended up getting with some other young brothers who love Hip-Hop and love working with young people and formed a group called 1 Hood.

After organizing with 1 Hood and doing the anti-violence things in Pittsburgh we got to the music. I almost gave up Hip-Hop because I didn’t think people wanted to hear conscious rap. It changed for me when I wrote the song Free the Jena 6. It ended up being played all over the country and Michael Baisden was the catalyst for that. I ended up in Jena and people responded well to the song saying it touched their lives. It showed me that people really wanted to hear Hip-Hop with substance and a message. That’s when Paradise and I really started working on music together.

SS: Going back to the era when X-Clan came out, acts like X-Clan, Public Enemy and Brand Nubian were at the forefront of rap, now acts like that you won’t see on BET. Why do you think that’s changed in less than 20 years?

Jasiri X: The powers that be of the industry will say outright that that music doesn’t sell. A group like Little Brother who you might not even classify as conscious, I would say they’re conscious or have intelligent music; BET wouldn’t play their video because they said their music was too intelligent for their audience. I think what happened was this industry created a formula for a hit record. People began focusing on making hit records instead of music that inspires and educates. It was like if you don’t fit into this formula that equals hit we aren’t going to support you. The industry is saying we won’t invest in you because you won’t be this big monster hit. This is actually why we started putting our videos on YouTube to show that people want to hear this type of Hip-Hop. It’s good to be able to negotiate a contract and say we have a half a million views on YouTube and people want to hear this type of music.

If you look at the history of the representation of black people in the industry and the media its always been this negative portrayal. It seems to me that now the industry says we only want two representations of black men. Either you’re this unintelligent gangster super thug or you’re this effeminate non-threatening person with super tight jeans. It seems like the media has always had a problem with an intelligent strong black man. Women have it worse. If they don’t want to get buck naked they don’t have a place for you in this industry. This is why me, Paradise, and others have said that we’ll do it independently. There is a market there. There are people that want my music, there’s people that want good conscious Hip-Hop with a message. Look at what’s happening to the industry, it’s collapsing on itself because it’s not producing real good music that people want to listen to. What really destroyed Hip-Hop was when people went into the studio and tried to make hit records instead of making good quality music. What you get out of that is junk. You get a whole bunch of attempts at a hit record and they’re terrible. I took the opposite approach and said I want to make quality music that has an impact and talks about what’s happening.

You’re in Chicago the violence is off the chain! Violence, poverty, the recession, the intense attack on President Obama; all these issues we have and we’re still talking about making it rain? We’re talking about swag? I tend to also get mad at Hip-Hop fans because the fans don’t demand real good music. If the industry is pushing you the fans will accept you. We’ll accept Rick Ross even though we know he’s lying. We know he was a C.O. and he wasn’t a big time hustler. We accept it because the industry is pushing it.

SS: I interviewed Scoop Jackson from ESPN and I asked him why Hip-Hop changed from conscious rap to mostly gangsta rap. He said Hip-Hop didn’t dictate that but the people did. He said in the late 80’s and early 90’s Louis Farrakhan, Jesse Jackson and Al Sharpton played a much bigger role in the community then than they do now. There is no so-called black leader now so the rappers are a reflection of the people…

Jasiri X: I love Scoop but that’s just absolutely ridiculous. The reason I say that is because I live in the hood. Everybody is not a killer. Everybody is not selling drugs. When you analyze it, it’s a small segment of the people in the community living that life. It’s not everybody. I was just in London Homes; I got a lot of family there. Are there people there doing what they gotta do? Yeah. Sure. But it’s not everybody that lives there. What happens is it’s glamorized. At 1 Hood we walked the worst neighborhood in Pittsburgh called Homewood. Before we started walking it was five shootings in a 21 hour period– a three and a four-year old got shot. We said enough is enough, black men we’re going to get together and walk these streets. What we found out was it really wasn’t that bad. There were a couple of trouble areas but it’s not what’s portrayed. My thing is, yeah we have violence and hustling in the hood but definitely not at the level that these rappers talk about.

SS: On the block that I grew up on there was crime, but there was literally like two houses that people sold drugs out of. Everybody else on the block went to work every day and minded their own business.

Jasiri X: [Laughs] Exactly! Did what they had to do to survive.

SS: Drugs bring guns, people who use drugs steal, and it’s a never ending cycle…

Jasiri X: It’s definitely a vicious cycle. What we saw in Pittsburgh is a change in the policing. It went away from a community policing where people knew the officers and they were from your community. Most of the people that police our communities are white. They’re these hyper ex-soldier type guys that come from the suburbs and rarely have interaction with black people therefore there is no relationship there. That’s why they’re pushing for people to snitch. It used to be where people in the community had a relationship with the police and would talk to them.

An honor student in Pittsburgh named Jordan Miles was beaten severely by the police. He looked like Emmitt Till. He had his locks ripped out of his head. He’s an honor student and a violinist who played for Michelle Obama when she visited Pittsburgh. He was just walking to his grandmother’s house and some undercover cops jumped out on him so he ran. He didn’t know they were cops and they gave him the beat down. The police are defiant in the face of that and the head of the F.O.P says they followed their training. They charged this young brother with resisting arrest and he’s an honor student who never had any history with the police–as if beating him down and ripping the locks out of his head wasn’t enough. Look at the history of America, sex and violence is what America is founded on and what America loves to digest.

SS: I haven’t been stopped by the cops in a while. I’m 34-years old but when I was a teenager I was stopped constantly. It was always humorous to me because I was never in any kind of trouble but the house across the street from me was flooded with drug dealers and the police never bothered them. A lot of these cops work with drug dealers. They take payoffs or shakedown these small-time dope dealers so they aren’t concerned about policing the community. Earlier you mentioned that there should be more black police officers in black neighborhoods but in my experiences the black cops are way worse than the white ones. So how would you propose to change this?

Jasiri X: Yeah, yeah. You’re absolutely right. Pittsburgh was one of the first cities they used the RICO Act on. To talk to those brothers who were victims of that they didn’t get hit until they actually stopped selling drugs [laughs]. I think ultimately what we have to do is begin to police our own communities. It’s like education; do I send my child to this school that really doesn’t care about my child? Or do I take it upon myself to home school my child? We’re being pushed to do for self and practice self sufficiency. Ultimately it’s our neighborhood. On the block that I live on if I see someone breaking into my neighbors’ house I have a responsibility to say, “Nah, you’re not breaking into my neighbors’ house,” because the next house you’ll break into is mine.

The solution is we have to organize block by block and community by community to say we’re going to watch out for one another. Sadly people are afraid to approach these young brothers–they’re approachable. You can say, “Hey, on this block right here we’re watching out. It might be wise to leave us alone.” At the same time our tax dollars pay the salary of the police. With this organization 1 Hood we went up against the police a few times. When we first went up against the police an officer pulled a gun on a 7-year old girl and said he was going to blow her brains out. There were five witnesses to this account. What they tend to do is drag the case out and what we tend do is get real hype when it first happens and then go back to sleep. We have to begin to organize for the duration and hold the police responsible for what they’re supposed to do. What happened was the mother was charged with disturbing the peace because she was calling on Jesus to save her from the wicked police officer. They ended up dropping the charges against her but the judge said he did not believe that this officer would do something like that even though there were five eye witnesses. Less than a year later that officer shot and killed a mentally disturbed man. When we go and speak we bring that stuff up. We have to hold the officers accountable for the jobs they’re supposed to do and not be afraid to do that as well.

SS: Back to the music, I heard a song of yours called Blackface and another song called Just A Minstrel. How do you differentiate between someone having fun and being themselves versus someone putting on a minstrel show?

Jasiri X: Being yourself, are you really being yourself? To me that’s the $64 million dollar question. I read in XXL magazine that Gucci Mane had an academic college scholarship for computer science. So when we see Gucci Mane playing this role is he being himself? Obviously this dude is super-intelligent. Lil’ Wayne is very intelligent. When you see them acting out like this are they being themselves? I would say no. T-Pain? No. They’re playing a character. When they get caught and get on that witness stand like The Game you can tell. The Game’s lawyer said, “Do not call my client a gangsta rapper. That’s not what he is.” They’ll get on that stand and say that’s not really me, I’m playing a character.

Why is it that the character that they’re playing resembles a minstrel act from the 1920’s and 30’s? Why can’t you being an intelligent man reflect that in your music? If Gucci Mane would be goofy in one video and an intelligent business man in the next I would say OK, in this video he’s having fun and in this video he’s handling business. If in every video you’re showing all your teeth and high on pills that’s not real. Especially when you’re going in front of the judge and talking about how you want to change your life and be a role model.

SS: Waka Flocka Flame…

Jasiri X: Lord have mercy.

SS: [LAUGHS] He got into some minor verbal thing with Method Man. One of the things he said was that people don’t want to hear intelligent lyrics, I’m paraphrasing but that’s basically what he said. I’ve actually never heard one of his songs..

Jasiri X: You don’t want to hear it [laughs].

SS: I don’t think that guy is playing a character. I think that’s really him.

Jasiri X: No. To understand who Waka Flocka Flame is… Do you know who his mother is?

SS: No.

Jasiri X: His mother managed Gucci Mane and Nicki Minaj. How hard did you have it if your mom is managing Gucci and Nicki Minaj? You got some money now! That’s the mentality that the record labels have. The record label will say Soulja Boy had a million hits, did a dance, and sold some records so in their mind this is proof that people don’t want to hear lyrics anymore, but explain the success that Jay-Z and Eminem have. To me that’s a cop out. This is somebody who has no respect for the culture of Hip-Hop. He just wants to make money. His mom is managing Gucci so he can get Gucci and Nicki Minaj on a song so it’s like why not put some songs out there and you can make money too. He didn’t have to go through what most rappers have to go through to get on.

Even if you were the hood rapper you have to have some skills. You have to be able to say some rhymes to make the people in the hood say, “That’s him–he’s the one.” He never had to go through that. Because of how he got on and how quickly he got on he doesn’t have the same appreciation and respect for the culture and the music because he didn’t have to pay those dues. He’ll go out as fast as he came in–just watch. People that have an easy time getting on don’t last long. Look at the stories of Jay-Z, Eminem, and Diddy. They had a hard road, they fought. Every record label turned Jay-Z down and he financed his own record. They worked hard just to get their foot in the door. Their grind level is different.

We have an artist here in Pittsburgh named Wiz Khalifa. I’ve known him since he was 16-years old and when I met him he was dead set on being a professional Hip-Hop artist. He had a mindset like a 25-year old. He was in the studio back then, he wasn’t playing the block. He signed with Warner Bros, it didn’t turn out like people thought it would and it made him grind even harder. There was a time in Pittsburgh when there was a hate campaign for Wiz. He used to have to have a bodyguard.

SS: Why?

Jasiri X: It was two reasons. He’s young and his management is young. They made a mistake by marketing him as the only thing that’s happening in Pittsburgh. He also had a couple of street type songs. A lot of the rappers are heavy in the streets and they had a problem because they knew he wasn’t heavy in the streets. Wiz just hadn’t found himself yet and now he’s found himself as an artist. His management learned from those early mistakes. They reached back to Pittsburgh and when Wiz comes back to the city he’s like the Steelers now. It wasn’t easy and that dude went through a lot. I think he’s going to have a longer career than these dudes who just got a co-sign from a big star to get on. Wiz built his own machine and he’s going to be around a lot longer because of what he went through that I witnessed first hand.

SS: Talk about the album you have coming out.

Jasiri X: I’m really excited, it comes out in January. It’s really to me my first real album. American History X is a good album and we got the Pittsburgh Hip-Hop album of the year award but it was more like a compilation of my episodes. What you’ll find on American History X is me talking about things going on around the world and things that affect us. This is the first album where I get to get a little more into myself and just spit on some stuff. I put a couple songs out where I just spit and I’m nice with it. I can spit on this mic. It’s produced entirely by a producer named Rel!g!on out of Vancouver, Canada. He did a song last season that was very popular called Silent Night. I got with him and this new company called Wandering Worx — myself and Planet Asia were the first acts signed to it.

I’m just excited about an album that’s separate from me doing political stuff. As an artist you get more of a wider range of me on the album. It’s called Ascension. When we do the This Week with Jasiri X series we do nine episodes, nine weeks straight. So it’s nine new songs and nine new videos. I pushed myself to a point where I was ready to give up. It was like boot camp times fifty. I edit the videos too so I wasn’t sleeping at all. We kind of changed it up this year. It was a dark time for me so Ascension represents me coming out of that and finding the love for Hip-Hop again. I had to get off Twiter and Facebook and just wrote. Rel!g!on is a super producer as far as his beats and I’m really excited about people hearing it.

If you haven’t already done so, be sure to check out Jasiri’s classic ‘What if the Tea Party was Black?’

JasiriX.com
Jasiri X on Twitter
Jasiri X Facebook group

In a thought-provoking video, Jasiri X and Paradise compare real gangsters – the corporate criminals that rule the world with violence – with the people that label themselves (or are labeled by the media) as gangstas.

Jasiri doesn’t hold back, with lines such as these:

“Real gangstas make billions making slaves of civilians, making slaves of your children, making slaves through they killings.”

“800 billions in bailouts is what the banks get; Goldman Sachs, Merrill Lynch – throw up your gang sets.”

“If your land got resources, you’re getting attacked for it, cos real gangstas run the world on the backs of the poor.”

The video ends fittingly with a clip of George Carlin’s classic sketch: “It’s called the American dream because you have to be asleep to believe it.”

Jasiri X is a talented, militant rapper with a message that needs to be heard. That’s why no major label would be stupid enough to give him a deal!

Follow Jasiri X on Twitter.

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