Nothing to say here – the lyrics speak for themselves! “It’s time to get free, we ain’t slaves no more.” What a tune!

Classic resistant anthem!

Brand new! Logic comes hard with an anthem for the growing resistance against British imperialism in the belly of the beast. Intro/outro speeches provided by Jody McIntyre and Lowkey, and blues guitar and production provided by, erm, me.

Please leave a comment on Youtube if you like it! And if you reaaaally like it, you can get the full quality mastered version on iTunes for just 79 of your pence.

Lyrics:

[Jody intro]
I think we all have a duty to stand up and make our voices heard and to fight against what the government are doing

[Chorus]
I get down for my people
Down for my people
Down with the government until we’re all equal
Down with the media
And the corporations
I am not down with invading these nations
Stand up for my people
Up for my people
Fist in the sky until we’re all equal
We need more meetings, more demonstrations
Occupy parliament
This is our nation

[Logic verse 1]
See I’m down for equality
Down to abolish the lottery
Down with all the government’s policies
Silly me to believe no more tuition fees
Nine grand when there’s still soldiers in the Helmland
Lines of division in Palestine and Kashmir
Afghanistan
But who put the lines there?
See we created that
Civil war wasn’t born and we made it a fact
The news releases pictures saying that we’re violent
But it we’re not violent, the media is silent
We’ve still got British soldiers occupying Ireland
And they wonder why we’re still fighting
We’re fighting for the third world and everyone who lives there
Fighting the feds who pulled Jody out his wheelchair
We’re fighting for justice, I’m fighting for unity
Bottom line is I’m fighting for you and me

[Chorus]
I get down for my people
Down for my people
Down with the government until we’re all equal
Down with the media
And the corporations
I am not down with invading these nations
Stand up for my people
Up for my people
Fist in the sky until we’re all equal
We need more meetings, more demonstrations
Occupy parliament
This is our nation

[Logic verse 2]
Cos these are my people and this is our nation
Too many people have died in fed stations
The US, they have got too many military bases
In places, where they’re not welcome faces
It’s gone past racism
It’s imperialism, capitalism and straight hatred
How can we change this?
Ideally we’d take the whole concept of money and erase it
But this is not feasible
But at the bare minimum
All of our people are equal
The rich man’s the same as the poor
But the poor man still gets ignored
And we’re not the same as the law
But the real criminals are the ones that are making the wars
The companies that are funding the wars
Are the ones we are targettng for
Let’s get ’em

[Chorus]
I get down for my people
Down for my people
Down with the government until we’re all equal
Down with the media
And the corporations
I am not down with invading these nations
Stand up for my people
Up for my people
Fist in the sky until we’re all equal
We need more meetings, more demonstrations
Occupy parliament
This is our nation

[Jody]
We should be fighting for equality of all people, irrespective of race, religion, gender, wealth or physical ability.

[Lowkey]
We must also be 100% clear that while they are talking about cutting spending here, cutting jobs there, cutting benefits here, cutting EMA there, we also have to realise that this country is involved in the occupation of Afghanistan and the full-fledged support of Israel

[Jody]
And this is the central issue at the core of every conflict that is happening. You could not justify killing billions of people in wars around the world unless you considered those people inferior to yourself.

[Lowkey]
But honestly, at the end of the day, we must always take it back to this, and it’s a quote from someone called Frederick Douglass. He said: “power concedes nothing without demand”. So we must demand, demand, demand, demand, demand. Thank you very much.

Follow Logic on Twitter
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Follow Jody McIntyre on Twitter
Follow Lowkey on Twitter
Buy the track on iTunes

Check the inspiring lyrics, passion and sick flows from my brother MC Nekz. This 19-year-old West London rapper is destined for big things in 2011, without a shadow of a doubt.

Follow Nekz on Twitter
Free download: Who’s Nekz? (mixtape)
Add Nekz on Facebook

Mentalist - Make You Proud

Woaaaah, this album surprised me! Great vibes, endless positivity, consciousness, black pride, family responsibility, social responsibility, fresh flows and ‘golden era’-style beats overflowing with soul. And it’s a free download! Massive respect to Mentalist for this (and hats off to his producers – Mentalist has brought in some of the best in the game, including Loudmouth Melvin and Knite 13).

‘All Rise’ is definitely one of the standout tracks of the album – a heartfelt message from a conscious Afrikan man to his brothers and sisters to overcome 500 years of physical and psychological enslavement:

Growing up, I didn’t know enough
The school system never taught me what the f***ing world has owed to us
Slavery’s barely mentioned
Amazed me when I see mainly blacks up in detention
So I did my research
Heard King’s words
Apartheid made my heart cry, how the beast work
I’m filled with sadness that they hit us with the sickest lashes
They think we’re savages to take us through the middle passage
But we were kings once
We need to fix up
So I always keep my right arm fist up

On ‘Sacrifice’, Mentalist gives a refreshingly honest take on the life of an unsigned rapper who chooses to put his family first:

See I’m struggling to make it into work on time
Knowing that I’ve got to work, I’d rather work on rhymes
Cos rent’s going up and food prices is rising
To help out me doing my music, I be grinding
I’d rather work three jobs, keep my family living
Or they label me a slob and live off the handouts they giving
And for me, shotting would never ever be my decision
Could never pump this poison to these women and these children

This album is straight onto my playlist, and I’m definitely hoping to see videos to some of these tracks soon!

Download the whole album for free here
Follow Mentalist on Twitter
Follow Loudmouth Melvin on Twitter
Follow Knite 13 on Twitter

Check this phenomenal track from Durrty Goodz (a brilliant and massively underrated rapper) about the trials and tribulations faced by many kids on the estates: friends getting shot, relatives addicted to hard drugs, schools teaching nothing but irrelevant facts, broken families, and lack of opportunities.

The concept is very innovative: you hear Durrty in conversation with various young people from his area, discussing their problems with them. Here’s an excerpt from the first verse (child’s voice is italicised).

So what d’you wanna be?
Mmm, I ain’t sure yet, but trust me you ain’t asking no fool
I just passed my SATs, soon be in the last year of school
Probably go college, go uni, do my masters and all
Gwaan blood, that’s what I like to hear
So what’s your school sayin’, does it teach you about life out here?
Does it teach you when you leave there will be strife out here?
With peeps breeding and conceiving off the white out here?
Ya laughing, but it’s not right out here
Every day’s another struggle and a fight out here
They’d better teach you how to stand up for your rights out here
Cos they don’t teach you how to go to sleep without nightmares
Do they teach you this?
No, they don’t talk about that
Or talk about crack, or talk about black,
Or how we can try and make our way out these flats
They give speeches on the death of Macbeth and that
(Oh my gosh) And I couldn’t care less cos that be wack
I’d rather listen to rap, then teachers should get the sack
Yeah, I feel you blood, but ‘ere wot, don’t get all flared up
I’m a give you a lickle advice to get prepared up
I see you got the hustle but for you to get the bread up
When you see the feds, duck, but walk with your head up

Towards the end of the track, you find out that instead of speaking to other young people, he is in fact speaking to himself, reflecting on his own childhood and how he made something of his life in spite of poverty and prejudice.

They don’t know that mathematics for me is a quick task
But to flow poetry I used to ditch class
But you can make a pretty future out of shit past
Do you believe me, kid? Kid?
Shit, I’ve been talking to myself again
Daydreaming as I been walking by myself again
Thinking what I came to be, cos that kid was me

Don’t give up; rise up!

—
You can download Durrty Goodz’s album ‘Born Blessed’ for free from his website www.therealdurrtygoodz.com.

I went with my son down to the demonstration and rally yesterday (Saturday 20 November 2010), and can attest to the fact that Lowkey’s speech was hugely inspiring!

Here’s the video. The transcription is below.

We are here – all of us are here – because we believe in the equality of all and the supremacy of none.

Thank you.

This is a great example of positive underground London music celebrating youth culture and diversity. Big ups to True Tiger and P Money.

Co-authored by Sukant Chandan of Sons of Malcolm and Carlos Martinez of Beat Knowledge

To make it clear from the outset, we are not saying that Maverick Sabre and Professor Green are racists; not at all. From what we know about them, they are aware of many social and cultural issues. From reading interviews with Maverick Sabre in particular, it’s clear he is a conscious brother with great talent and intelligence. Professor Green is also an intelligent, talented and well-respected artist who undoubtedly opposes racism. This track and video may even have been conceived as an attempt to address some negative aspects of our lives in order to move positively away from them.

Nevertheless, the most anti-racist and conscious of us will never wholly rid ourselves of white supremacist ideas, as they have been beaten into our consciousness, constantly reinforced by the education system, the media and the music industry, which always seeks to colonise our youth and community’s natural wealth: our culture. So it’s important for us to look out for each other when we might slip up, and discuss in a mutually respectful and calm way in order to build towards freeing our peers in our communities from the mess we are in. Many of us are doing this in many ways, including in such forums such as the recent Hip-Hop History evening, an inspirational event featuring a panel that included highly respected artists such as Lowkey and Akala, at which over a hundred youth took part in a deep debate on issues such as sexism, racism and violence within music.

So although we understand that Maverick and Professor not racist, we consider that there are a number of very problematic elements to the track ‘Jungle’, which combined with the music video raises some deeply troubling issues.

The video is based in Hackney, in North East London. Hackney is one of the poorest boroughs in England and has a high concentration of working class people, including high concentrations of peoples from backgrounds from the Caribbean and Africa, Turkish and Kurdish peoples, and East European and Asian. The video starts of with Green stating:

“Welcome to Hackney, a place where I think somebody’s been playing Jumanji.
A manor where man are like animals, an’ they’ll yam on you like they yam on food.”

So this video features two white artists telling a story about how life in Hackney is like a “jungle”. To show this, exclusively Black people are used to portray a “jungle” life of back-stabbing, violence and crime – a dog-eat-dog world where the only two white people in the video are simply observing.

Apart from one young man, the video depicts only Black men committing graphic violence against other Black men with the use of various weapons including firearms. Admittedly, this is not the behaviour of upstanding human beings concerned with their fellow humans, but to compare these people to animals in the context of this video whereby those passing comment (Sabre and Green) are white men surrounded by a sea of Black on Black ultra-violence leaves a bad taste in the mouth. Or as one friend put it in relation to the video: “Dehumanised discourse, stereotypical ‘Black behaviour’, while two white boys take an observational stance, worried about getting ‘yammed’”.

We don’t know how much input Green had into the writing and the direction of the music video. Often in the mainstream industry, artists have very little say on the artwork and videos, so it would be interesting to know Green’s level of involvement in the conceptualisation, writing, directing and editing of the video. As it stands, this video is more akin to Daily Mail propaganda: fear culture injected into the underground music scene.

The theme of de-humanising the Black subjects in the video continues with Green stating:

“London ain’t cool to cruise through where the hunters pray, Looking lunch today, and your chains looking like fresh fruit to a hungry ape.”

Although several other ‘jungle’ animals are used to talk about Black crime in Hackney, using the term “ape” in a video (when the word is mentioned the video cuts to a young Black man’s face at 1:13secs) is massively insensitive. Is it so difficult to understand that this can be construed as deeply offensive and racist?

Presumably some would argue that it’s just a fair representation of reality, where Black people are over-represented in street gangs (an issue that deserves to be dealt with in a serious and considered manner). However:

a) While many gangs might be majority Black, most have white members as well. Given that Professor Green is a white artist making music that has its origins in the Black community, you’d think he would have the cultural sensitivity to paint a more balanced picture. Yes, Professor Green is from the ‘ends’ himself and is perfectly entitled to comment on what life in poor inner-city neighbourhoods is like (indeed this is to be welcomed), but we can’t afford to ignore the issue of race, which still runs deep in the society we live in. As the respected US professor Cornel West points out: “All people with black skin and African phenotype are subject to potential white supremacist abuse.”

b) Any artist trying to communicate a socially relevant idea has a responsibility beyond simply painting a picture of a dystopian reality. In the words of the legendary singer and civil rights activist Paul Robeson: “The role of the artist is not simply to show the world as it is, but as it ought to be.” The net result of this video is to promote white supremacist ideas – that’s not helpful.

c) No doubt Sabre and Green would claim to be anti-racist. Hence they need to actively take responsibility for countering racist attitudes. Racism is overwhelmingly concentrated in the white community; therefore white cultural figures such as Green (especially where he’s making a good living off Black music) need to have a clear, unambiguous, public anti-racist policy and to be an example to others.

Hackney has some of the worst levels of working class crime in the country. The reasons for this are many: for example, high levels of unemployment; poor provision of youth services; gentrification; concentration of poverty; neglect from the state; and many more.

Hackney has a large Black population and high levels of crime but our mainstream media does a very good job to portray non-white people in England as untrustworthy, crime-loving, dangerous savages and all this video seems to do is reinforce and glamorise that, which is a great shame as Sabre and especially Green are actually in a position to challenge that.

Also, there are plenty of white people involved in crime in east London, but to someone who relies on the Daily Mail or the Sun for information, this video would simply confirm their prejudices that violent crime is an exclusively Black affair.

Again it promotes ideas that Black people are condemned to a world of Black on Black violence. When in reality, the main problems for Black people are deep-seated racism that affects every aspect of their lives. From being 26 times more likely to be stopped and searched by police, twice as likely to be unemployed as white people, racism in our schools (which actively deletes Black people’s history in relation to England) which creates racist attitudes in society at large through to the dehumanisation of Black peoples of the Caribbean and Africa.

Instead of just saying ‘this is how it is’, could not have Sabre and Green not done something to show why it is like that? Hackney being the second poorest borough in the country obviously has a lot to do with the fact that for many people being a part of the system is not an option. Surely reinforcing white stereotypes of Black people was not the intention but as Sabre said in a recent interview: “If you’ve got four minutes in someone’s head, in someone’s room, a young person – why say bullshit to them? The most important thing to me is that people can say I really connected to your song, whatever the song may be, and I understand something about myself more or something about society more.”

It also has to be said, for fear of sounding clichéd, most of our youth are humble, intelligent young people who want to do well in life even though they are usually aware and spend nearly every day of their lives countering the many obstacles a racist and exploitative system puts before them.

Our youth need a culture that is not scared to address the negatives, but in a way that uplifts them, inspires and informs them, and gives due credit and direction to the potential and actual power that is in the hands of our youth. We are not “apes”! We are beautiful and intelligent human beings who are fighting for our cultural, moral, social and political freedoms. And for those who are falling victim to the society’s traps, our job is to unite with them positively and bring them into our freedom struggles.